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The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Provence, by Martin Gayford
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From October to December of 1888, Paul Gauguin shared a yellow house in the south of France with Vincent van Gogh. They were the odd couple of the art world -- one calm, the other volatile -- and the denouement of their living arrangement was explosive. Making use of new evidence and Van Gogh’s voluminous correspondence, Martin Gayford describes not only how these two hallowed artists painted and exchanged ideas, but also the texture of their everyday lives. Gayford also makes a persuasive analysis of Van Gogh’s mental illness -- the probable bipolar affliction that led him to commit suicide at the age of thirty-seven. The Yellow House is a singular biographical work, as dramatic and vibrant as the work of these brilliant artists.
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Product details
Paperback: 352 pages
Publisher: Mariner Books; Reprint edition (April 24, 2008)
Language: English
ISBN-10: 0618990585
ISBN-13: 978-0618990580
Product Dimensions:
5.5 x 0.8 x 8.2 inches
Shipping Weight: 12.6 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
48 customer reviews
Amazon Best Sellers Rank:
#496,683 in Books (See Top 100 in Books)
I so loved this book. It is well written, incredibly interesting, and gives a lot of examples of paintings of Van Gogh and Gauguin, along with the orientation of what they were doing in their day to day lives and how their perspectives differed in general, as well as in the individual pieces they painted at the same time, same space, and sometimes same subject. Their relationship was so fascinating. I never wanted this book to end! The book also discusses the relationship of Van Gogh to his brother, the people immediately around him, and other artists...and explores his thought processes about these people and his circumstances. Also included is a good bit of biography leading up to his time at the Yellow House. The format was well done for my iPhone. I've had to exclusively read this book on it, and I still greatly enjoyed every minute.
It was for only nine weeks that Van Gogh and Gauguin shared the "maison jaune" in the center of Arles, France, but so much was accomplished in those short weeks. The field of art was changed irrevocably. Van Gogh and Gauguin wanted to change the style of art from the currently-fashionable impressionism. They wanted to express something from within themselves as they painted the world. They wanted their colors to be beautiful and to express inner feelings.Gayford's volume is complete and detailed, and I am confident to say, the definitive work on this time period in the life of these two giants in the world of art. In it, he describes details of their daily life, as well as their exchange of ideas. Much of what he writes about here is based on the letters of these two prolific artists, primarily of Van Gogh's, whose life was fully documented in his daily, sometimes even more frequent, letters to his brother, Theo, an art dealer in Paris.Despite the thoroughness with which Martin Gayford explores his topic, there are also some problems with this text. The biggest problem is that, although the author stresses the importance of color in Van Gogh's work, this book is printed with only black and white reproductions of the artists' work, leaving a very frustrated reader.Another problem is that Mr. Gayford might describe and analyze a painting at length, and then not even have a reproduction of that important work in the book. In other cases, there are paintings reproduced here that are not mentioned in the text.In spite of these important downfalls, Mr. Gayford does succeed in giving the reader a vivid depiction of the personalities of these two artists as well as excellent explanations of their artistic styles.
In 1888, Vincent van Gogh, as yet utterly unknown except to a tiny cadre of equally unmarketable painters, coaxed the nearly as unknown Paul Gauguin to travel to Arles, in southern France, to share a house and studio -- the Yellow House -- with the implicit goals of inspiring each other's work and establishing the nucleus of new radical creative movement. Vincent was at that time completely dependent on gifts of money from his brother Theo, an art dealer well established in Paris. Paul was almost equally impoverished, but suddenly, while in Arles, a few of his paintings drew attention and were sold by his agent, the same Theo van Gogh. This book, The Yellow House, is a narrative of the nine weeks during which the two painters "played studio" together -- nine weeks when both men painted astounding masterpieces (van Gogh producing sometimes two canvases a day, including several of his greatest works), profoundly influenced each other and thus most of the painters of the next 100 years, tormented each other psychologically, led each other into disastrous behaviors and self-abuses, and finally ruptured their collaboration forevermore, as Gauguin fled for Paris and van Gogh chopped off part of an ear and wound up in an asylum. One would have needed a profound self-sacrificing faith in the genius of either man in order to put up with him intimately. No one - not even another genius - could possibly have lived and worked with both of them.Author Martin Gayford, nevertheless, portrays this 'collision of galaxies' with immense empathy for both artists. In the course of his narration, he manages to trace the earlier lives of both without slipping into any kind of deterministic assessment of the sources of their inspiration or their mental anguish. It's clear that Gayford considers the art they created to have been 'worth' the suffering they experienced and caused. It's also clear that Gayford regards van Gogh as the greater painter, a judgment I'd be unable to make; whosoever's painting I'm standing before is invariably the greatest for me. Gayford is generally careful not to fictionalize recklessly, though much of what he reports is obviously conjectural, but he tells his story with the flair of a non-fiction novelist. But I should warn casual readers: if you have no stock of visual/emotional response to the paintings, if you've never even seen any of them, if you couldn't care less about the human turmoils of Paul Gauguin and Vincent van Gogh, or about "modern art" in general, this book is not for you; you are not worthy of it.
The Yellow House provides a tight focus on the period when Van Gogh and Gauguin lived together in Arles. The strength of the book is how it approaches the relationship from many viewpoints, Van Gogh's, Gauguin's, the postman and his wife, the citizens of Arles, Bernard, Degas, and more.It takes enormous amount of research to collect this information from different sources and different languages and put it together. Gayford fits the pieces together with an exciting narrative.
It is a fascinating tale, told well. This book treats the reader to the quotidian and the sublime in the lives of two great artists in an important period of discovery and tremendous productivity for Gaugin and Van Gogh living in The Yellow House.
I chose to read this book, because I am planning a trip to Provence and I love Van Gogh and Gauguin. What an entertaining and informative read! I was not aware that these two artists shared a house in Arles for a brief period and painted some of the same subjects while "collaborating" on artistic methods and styles. I would give 5 stars, except I read the Kindle version and was frustrated that I could not see the illustrative photos of the paintings in color.
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